Sunday, December 21, 2014

BEST RECORDS OF 2014

ACID BABY JESUS - SELECTED RECORDINGS LP (Slovenly)
AUSMUTEANTS - ORDER OF OPERATION LP (Goner)
BALCANES - PLATAFORMA / AUTOPISTA 7" (Discos Humeantes)
BILDERS - THE UTOPIANS 7" (Smart Guy)

BRIDGET FONTAINE - BRIGITTE FONTAINE EST... FOLLE LP (Superior Viaduct)
BUCK BILOXI AND THE FUCKS - CULTURE DEMANUFACTURER LP (Total Punk)
CAN CAN HEADS - BUTTER LIFE LP (Karkia Mistika/ Verdura/ Bottom Of The Pops)
CHANCE, THE - S/T 12" (Unwucht)

DARK BLUE - JUST ANOTHER NIGHT WITH THE BOYS 7" (Jade Tree)
DEAD GUM - K-HOLE AS IN KELLOG'S TAPE (All Gone)
DEEP FREEZE MICE - BEST OF LP (Night People)
DIE SCHACHT - HALBER SELBSTBETRUG 7" (Siltbreeze)

DROWNING IS EASY - S/T 7" (Unwucht)
DON'T - 89 / DEAD END DRIVE 7" (Dead Broke)
EASTLINK - S/T LP (In The Red)

EXILES FROM CLOWNTOWN - TAPE SCISSORS ROCK LP (Soft Abuse)
GAS RAG- BEATS OFF LP (Even Worse / Beach Impediment)
GOAT - COMMUNE LP (Stranded)

GOOD THROB - FUCK OFF LP (SuperFi, White Denim, Sabermetric)  
HANK WOOD AND THE HAMMERHEADS - STAY HOME LP (Toxic State)
HEAT LEISURE - III + IV LP (Thrill Jockey)
LOW LIFE - DOGGING LP (R.I.P. Society)
LUMPY & THE DUMPERS - COLLECTION LP (Erste Theke)

MARTYR PRIVATES - S/T LP (Bedroom Sucks)
MIKE REP AND FRIENDS - DARBY CREEK DRIFTER LP (540)

MORDECAI - NEIL'S GENERATOR LP (Richie)
NOTS - WE ARE NOTS LP (Goner)
NUN - S/T LP (Aarght)
OBN III's - THIRD TIME TO HARM LP (Tic Tac Totally)

OBNOX - LOUDER SPACE LP (12XU)
O-TYPE - DARLING LP (Milivia Son)
PAUL MESSIS - NIGHTMARES 7" (13 O'Clock)
P.I.G.Z. - BLOODY BELGIUM 7" (Ugly Pop)
PROTOMARTYR - UNDER COLOR OF OFFICIAL RIGHT LP (Hardly Art)
RATS - INTERMITTENT SIGNALS LP (Mississippi)
REIGNING SOUND - SHATTERED LP (Merge)

ROACHCLIP - CALMER IN THIS TOWN 7" (Quemada) 
RUINED FORTUNE - S/T LP (HoZac)
SAPAT - A POSTHUMAN GUIDE TO THE ADVENT CALENDAR ORIGINS OF THE PEEP SHOW LP (Sophomore Lounge) 
SEX SCHEME - THRUSTER TAPE (Stale Heat)
SHOES THIS HIGH - S/T 7" (Siltbreeze)

SIOBHAN - SOUTHGATE LP (Opal Tapes)
SLEAFORD MODS - DIVIDE AND EXIT LP (Harbinger Sound)

SUBTLE TURNHIPS - REDHAIR WITH SOME LP (Homeless)
SUNSHINE WARD - DEMO 7" (Hardware) 
TOTAL CONTROL - TYPICAL SYSTEM LP (Iron Lung)
TREEHOUSE - INTERZONE LP (Vacant Valley)
UGLY BEATS - BRAND NEW DAY LP (Get Hip)
 

UKIAH DRAG - IN THE REAPER'S QUARTERS LP (Wharf Cat)
UNHOLY TWO - TALK ABOUT HARDCORE LP (12XU)
VA - ANXIOUS COLOR LP (Mississippi)  
VA - BERLIN TRISTESSE 7" (Heartfirst) 
VA - NO SEATTLE. FORGOTTEN SOUNDS FROM THE NORTH-WEST GRUNGE ERA 1986-1997 VOLUME 1+2 2xLP (Soul Jazz) 
WARM SODA - YOUNG RECKLESS HEARTS LP (Castle Face)
WATERY LOVE - DECORATIVE FEELING LP (In The Red)
 

Wednesday, October 29, 2014

RIDE A DOVE is dead

This is the last post. I don't have the time to continue the blog. Thanks for the support and interest over the past two years.

Monday, October 13, 2014

Interview with SLOVENLY RECORDS

Since more than ten years Slovenly is one of the finest record labels in the fields of punk, garage and psych. Peter answered my questions.  


When and why did you start releasing records? Tell us the story of how Slovenly Records started.
I put out my first record in 1994 after the sticker business (Sticker Guy!) started to take off and I found myself with a four-digit bank balance for the first time. That was a 7" by a band from Oakland that had played a gig in our basement. We used to put on tons of shows for bands from all over the place. 

Tell us about your previous 702 label.
That was my first label, which wasn't terribly focused. I basically just released anything I liked, regardless of the style, and also records by people I liked -- by friends. I decided to start Slovenly in order to create a label with a more distinct sound. 

Are you running Slovenly on your own? Do you have many helpers?
Slovenly is now run by the Thing With Two Heads (Bazooka Joe & wife Christine) in Pennsylvania, and myself. Oihane Follones is sending many of our orders from the Wowsville Recordshop in Berlin, and a few other people scattered about the globe help out sporadically. I intend to expand our workforce in the next year.

Did you model your label after a specific label and which bands had a influence on Slovenly Records?
Back in 2002 when I started Slovenly, I was following labels like Crypt, In the Red, Estrus, and Get Hip pretty closely. So you could say they were big influences, but I wouldn't say that we've modeled ourselves after anyone else. The label is influenced and shaped by its bands, and I would say that some of the most influential bands are THE SPITS, ACID BABY JESUS, and WAU & LOS ARRRGHS!!!  These three bands also happen to represent our various sounds: punk rock, psych punk, and garage punk. It's all punk.

What is the highest selling record ever that Slovenly released? Is it importnant to have some hot sellers to release new and unknown bands?
SPITS #2 (the one with the Wheelchair) is our best-selling record, and YES it's definitely important to have records that are in high demand in order to release unknown artists. A shop or distributor might take a few copies of the new band's record along with their restock order, whereas only the most specialized shops will take the time and the risk to pick up strictly unknown stuff.


Which role play commercial considerations when you release a record?
Commercial considerations don't influence whether or not we'll release a record. If we think it's great, we'll press it. But if we're not sure it will sell well, we'll probably press fewer copies.

You seem to release a lot of bands from Europe. Why are you so well networked here?
I got bored with the USA in around 2000 and decided to move to Naples, Italy, which is very close to my mother's hometown. She moved from Italy to the USA with my grandparents when she was 12 years old. So I lived in Italy, Spain, and the Netherlands, and have toured all over Europe extensively (with Spits, Davila666, Scared of Chaka, and tons of other bands).

So you are familiar with both the US and the European punk scene. Are there any differences?
Definitely! It's one of the reasons I got bored with the USA. Over there, your band is just another band and is treated accordingly, until your band becomes famous, and then everyone licks your ass. In Europe, you are treated like an artist from the beginning, and then if you become famous, things don't change as much. Conditions in general are better in Europe. But for the bigger bands, conditions become better in the USA. I like small stages and dislike asslicking, so I prefer Europe.
 
You’ve recently released a 7“ by the German band P.U.F.F.. How did you get in contact with them? Which other German bands do you like?
Dale from Bikes/Hellshovel put me in touch with PUFF. I like the Mommy Boys... and I like Itty M... they did a split 7" together that's pretty great. Modern Pets are cool. Everyone tells me I would like Bikes... gotta give them a listen!

What's your opinion about limited preorder copies, limited coloured vinyl, exclusive club releases and stuff like that?
I've always disliked exclusive collector scum shit like that, and that's why we've almost never done it. I try to keep the prices of our records as low as possible. Then again, people seem to like it, and there are too many records these days, so it's cool to make them special. I'm looking into a way to start numbering our releases. 

Most garage bands are not politically motivated - at first glance at least. What’s your opinion about political bands? Do you think the garage scene should be more political?
I used to be into politics & music, but nowadays I prefer them separate. I don't mind when a band has a song or two on their album that makes a political statement, of course. When it's done well it can make an album more important, more meaningful. But I definitely don't encourage our bands to be political in their music. I do encourage them to sing in their own language, but my reasons for that are more artistic than political.

Why do you think bands should sing in their native language?
For a few reasons. For one, it sets them apart from other bands from around the world. I mean, if a punk band is made up of four Italian guys (for example) and they sing in English,  they're a punk band from Italy. But if they sing even just a few songs in Italian, they're an Italian punk band. I think most people from outside of Europe are more interested in Italian punk bands. There definitely were a lot of great ones in the late 70s & 80s. Just listen to Killed By Death Italia for some proof. Also because a lot of my friends who sing in English can't speak it very well... so what the fuck? I mean, I speak Italian & Spanish, but not very well, and I'm pretty sure if I wrote a song in either of those languages, the lyrics would be laughable. Someone who actually agrees with me (it doesn't seem like many do, haha) put it like this: if you had to write a poem (for some godawful reason), in what language would you try to write it? Probably your own.  Good lyrics are poetry in a way, so it makes sense. Of course there are exceptions to what I'm saying... like some European friends who have grown up bilingual and are excellent lyricists, also in English.  And like a lot of our bands, which aren't poetic at all, and that's how we like them. But I still wish they would all do a track or two in their own language.  I have a lot of European friends who have learned English partly from music... from singing along to their favorite songs.  I know a little bit of Greek because of Komodina3... I think that's kinda cool.  Maybe I was spooked by reading Orwell's 1984 and seeing the film Idiocracy (both in which all languages are extinct and only a dumbed-down version English remains)...
 
Your records are distributed in Germany through the Wowsville Record Store in Berlin. How did you get in contact with them?
Actually Slovenly is distributed in Germany by Cargo Records in Wuppertal. We now have two mailorders: one for the USA, and one for the rest of the world. German postal rates are pretty great -- it costs 9 euros to send an LP from Amsterdam to Berlin, but only 3,45 to send it back. (!)  It's actually cheaper to send an LP from Germany to Canada than from the USA. I've known Alberto since he was in New York City & Wowsville was only a recordshop. And I met Oihane at the Primitive Festival in Rotterdam, and then again at Sounds that Swing in London. And both of them again and again at festivals in Spain, and etc. We've been friends for years already, so when I realized we could offer lower postage costs to people all over the world, it was a no-brainer to shut down the Amsterdam mailorder and move it to Wowsville.

Tell us more about your distribution. Do you prefer to distribute the records on your own or do you work with big distributors?
I prefer to work with distributors actually, so that I can focus on the more creative aspects of the label, and on promoting our bands and releases. And also on DIY distribution to countries that don't have distributors (like Brazil, for example).

What is the most frustrating thing about releasing records?
Seeing inferior records sell better because Pitchfork gave it a high mark. Noticing that people in our scene give a fuck what Pitchfork thinks even though, for them, the top records of the year are by fuckin Vampire Weekend & Kanye West. These artists have nothing to do with punk rock. It's also extremely frustrating when our own artists don't respect our agreement. We don't do contracts, but we've got the same agreement with all of our bands. We work hard for all of our bands, and some of them turn out to be fuckin' ingrates. That's more than frustrating -- it's depressing.

Pitchfork is also a strong factor, why garage music got more popular in the last couple of years. Back in the 90s garage was raw and dirty, but today many garage bands make more concessions to mainstream music. What’s your opinion about this development?
Very well said. I think all of these so-called "garage" and "psych" bands are a bunch of fucking asslicking pussies and wish they would disappear. Or, get the fuck out of our scene. Of course they should play whatever music they want, but maybe they can come up with some other term to describe themselves? Because let's face it: most of the crap they're calling "psych" and featuring in all of these festivals that are popping up everywhere is really just stoner rock with effects pedals. I don't even know what "garage" means anymore. That's why I try to be clear about our sound: garage punk, psych punk, and punk rock. It's all punk... various flavors. 
 
What do you prefer: printed fanzines or digital music journalism and blogs?
I miss printed fanzines for sure, but there was a moment when (like records) there were too many of them. I think it's better now with the web -- as long as we have both. Maybe bands will begin to follow this trend and make fewer records... keep recording and publishing music digitally, but only press the best to vinyl. Because there are too many records out there...

Imagine you had a time machine and you had the chance to put out all sorts of records that ever came out. Which five records would you choose?
some modern stuff that comes to mind that came out after I started making records
KING KHAN & BBQ SHOW first album, THE SPITS - IV, TOTAL CONTROL "Henge Beat", everything by USELESS EATERS, anything by TEENGENERATE and of course I would love to have released THE RAMONES, THE MONKS, MISFITS, KISS, LOS SAICOS, LOS YORKS, LOS YETIS, BUZZCOCKS, UNDERTONES, THE BOYS, THE SAINTS, etc etc etc

What’s your advice to people who want to start a label?
Be aware that you are digging yourself a giant hole... you'll spend a lot of time digging it, you'll dump loads of cash into it, and the dirt that comes out of the hole will pile up in the form of boxes of records, so you'd better rent yourself a storage unit. On a more positive note, most records do eventually sell out -- it just might take 10 years. So you might not want to get into this unless you're sure you want to do it for a long time. My other bit of advice would be to take your time, and get it right before you make the record. Try to avoid putting out records in a rush. Spend the extra time and money on recording, mixing, and mastering the audio properly. Make the extra effort to make the packaging more interesting and original. There are too many records out there these days. Quantity is not quality. Quality is what will get your record noticed, and the attention it may deserve.

Any last words?
Thanks for your support over the years, we're far from done making killer records! You can get our releases from Wowsville in Berlin or online, and you can hear most of them on our bandcamp, Spotify, etc.

Wednesday, October 8, 2014

LUCRATE MILK LP

LUCRATE MILK - I LOVE YOU FUCK OFF LP (Aatypeek Music / Archives De La Zone Mondiale)
Complimenting the "Lustiges Tierquartett" reissue of Lucrate Milk's first 7" on Danger Records, Atypeek Music and Archives De La Zone Mondiale present the first-time legitimate reissue of this 17 song discography. Originally released in 1987 on Bondage Records "I Love You Fuck Off" is a mind-numbing, weird punk experience and the perfect introduction to this band. Lucrate Milk from Paris, France were active from 1979 until 1984. During this period this four-piece developed a totally nonconformist product of no wave, punk and free jazz. The songs sound pleasantly bizarre and manic. High screaming vocals pierce over the tracks in between frantic saxophone melodies and discordant beats that sometimes seem to break together. The whole record is really exhausting to listen to and that's one of it's main secrets. You can hear hints of British bands like Crass, X-Ray Spex and The Slits but of course Lucrate Milk delve into a much more experimental and broken realm. An authentically gritty and unique European punk classic! (Listen to it here)

Monday, October 6, 2014

NEW TAPES AND DEMOS

MODERN DELUSION - WASTELAND TAPE (Doomtown)
Zagreb's Modern Delusion feature members of Dykemann Family and Black Gust. In contrast to their highly recommended split 7" with Chresus Jist this previously released debut tape sounds a little more catchy and the band's dark, swirling undercurrents are less developed here. "Wasteland" features seven tracks of driving punk-rock with plenty of great melodies. Stylistically, this release channels the spirit of classic punk and post-punk from the late 70s/ early 80s and has a strong Devo style synth-punk influence. The musical foundation is built on rough guitars, pounding beats and frantic synthesizer sounds. Modern Delusion play an addictive style of punkrock delivered with rawness and intensity. Highly recommended! (Listen to it here)

MUTTON - S/T TAPE  (self-released)
The debut EP by Melbourne based four-piece Muttton features six raw and flithy songs that channel traces of early 90s noise-rock brutality and combine them with the frantic energy of classic punk. With a musical foundation based on heavy distorted guitar noise, throbbing basslines, clappering beats and harsh vocals Mutton sound like a terrible headache - cruel and ugly. The combination of Mutton's broken sound and the subliminal catchiness of their straight punk blasts is something that is totally matchless and outstanding.These recordings call to mind both the classic sound of Feedtime, Venom P Stinger and Jesus Lizard as well as the new breed of Aussie noise-punk including bands like Whores, Cuntz, Gentlemen or Gravel Samwidge. Get this while you can! (Listen to it here)

SEX SNOBS- UGLY TAPE (self-released)
Hailing from Oklahoma City, Sex Snobs combine influences that range from '90s alternative music to the classic sound of 80s hardcore-punk and pull out three tracks of relentless noise-rock. Throttled with distortion and anxiety this trio pukes out ugly, energetic punk blasts driven by a heavy pounding rhythm section. If Sex Snobs come off less dissonant and complex than your average Amphetamine Reptile fetishists, part of that might have something to do with their blazing guitars and punk roots, which ensures that they are straight forward more often than they drift into noisy improvisations. At times they might recall the classic sound of Jesus Lizard, Unwound or Good Bullies, but this tape definitely speaks it's own musical language. (Listen to it here)


TEAM UGLY - MEAT PRIZE TAPE (Melted Ice Cream)
The past of New Zealand's underground music seems to receive more attention than the music of current bands. But of course this country still produces great music in the post-Flying Nun era. Team Ugly from Auckland are one good example and there are many more. If you interested, you should read this scene report (click here). Rooted in the post-punk tradition of their kiwi forefathers Shoes This High and The Clean, Team Ugly manage to wriggle out of any restraints of that and play something wholly unclassifiable. Musically the band delivers an explosive sound based on a discordant groove, propelling beats, jarring guitars and incredibly fresh sounding vocals and background shouts. The four songs on "Meat Prize" are made with a multitude of melodic hooks but Team Ugly deliver them throughly with tension, noise and intensiy. It results in a tight and complex sound that uses ambitious sonic textures to create a unique style of avant punk. Great! (Listen to it here)
 
TRIBÜNAL - HELPLESS TAPE (self-released)
Tribünal hail from Hildesheim, Germany, and consists of only one insane d-beat maniac playing all instruments! Drawing influences by both classic bands like Disclose, Shitlickers and Anti-Cimex as well as newer bands like Electric Funeral and Framtid this one-man-band conquers the raw and primitive d-beat hardcore style better than any other German band. This tape offers no let up in blasting fury, with five tracks driven by a wall of filthy distortion. Ignited with raw guitar attacks and pummeling drums, fueled by harsh vocal shouts Tribünal create direct and angry d-beat assaults with a noisy and blown-out approach. Fans of raw d-beat hardcore take notice! (Listen to it here

Thursday, September 25, 2014

NEW 7"s PART 2 OF 2

PUFF - IDENTITÄTSVERLUST 7" (Slovenly)
After a split single with Eastie Ro!s and a tour through Europe with Diät Berlin's hottest current punk act returns with a brand new 7" on Slovenly Records. Frantic, unsetting synth-attack and confusing German lyrics are best evidences of a strong 80s "Neue Deutsche Welle" punk influence. With their strange, raw and broken style PUFF make sure that they are more than just a copy of that era. This 7" is highly recommended for everyone who equally likes Devo's synth-punk, the weird moments of The Spits and early German punk in the vein of Mittagspause, Hans-A-Plast and Abwärts. Special mention must be made of the great cover artwork. Some of the best German punk around! (Listen to it here)

RADAR EYES - COMMUNITY 7" (Requiem Pour Un Twister)
Over the course of several 7"s, a cassette release and one full-length on HoZac Chicago based four-piece Radar Eyes has developed a unique style that mixes influences ranging from garage, psych, jangle-pop and early British post-punk. Their latest single features two well crafted songs made with a really strong songwriting. Radar Eyes find a perfect balance somewhere in between a driving uptempo, groove and an undercurrent of sweet, and dark melodies. The powerful vocal harmonies are another main highlight. In contrast to their previous releases this new 7" is a bit more on the post-punk side. Both songs are spectaculary catchy and highly addictive.. (Listen to it here)

RANCH GHOST- TURFIN 7" (Requiem Pour Un Twister)
The great French Requiem Pour Un Twister label delivers the third 7" by Ranch Ghost from Nashville, Tennessee. Both songs offer a thundering blast of jangly psych guitars and pounding rhythms. A bluesy groove and wild, screechy vocals come along with soaring melodies and frenetic power. Ranch Ghost recall the classic sound of the 1960's but with the help of an modern, fresh and wild approach they set themself apart from the average Nuggets imitations. It's amazing how they crush together dirty blazing psych-punk with a sense of pop. Highly recommended! (Listen to it here

SICK THOUGHTS - NEED NO ONE 7" (Can't Stand Ya!) 
If you still believe that punk and garage should sound ugly and destructive Sick Thoughts will be your new favorite band. This duo from Baltimore takes rawness to a level that few dare to tread. In just one year they have managed to put out two 12"s and nine 7"s and each of them is a winner record. "Need No One" is the bands vinyl debut from 2013. You get three dirty punk attacks based on heavy distorted guitar noise, manic screams and pounding beats. Sick Thoughts recall the origins of punk in the late 70s and the rough lo-fi sound of 90s garage. It's all rooted in a time when primitive technique and structures lead to some great music and Sick Thoughts are fuckin' great too! (Listen to it here)
 
THEE MVPS - OH SALLY 7" (Slovenly) 
Slovenly Records regularly puts out records by new and fresh bands from all over the European continent. Thee MVPs are their latest discovery. The band is located in Gravesend in the Midlands close to Billy Childish's hometown Chatham. Their vinyl debut shows some musical parallels to the classic sound of Thee Headcoates but at the same time the ghosts of modern garage simular to Ty Segall or Thee Oh Sees are obviously creeping in. The two tracks represent a group pushing their music forward with uncontrolled power, while still keeping it catchy and adding plenty of sweet vocal harmonies. Especially “Amok Time” on the b-side is an stand-out track that immediately sticks in your memory. Garage-punk of the finest quality! (Listen to it here)
 
T.I.T.S. - I TOLD YOU I WAS SICK 7" (Pollymagoo)
Don't let the bandname fool you! This isn't the classic Dutch punk band. T.I.T.S. is a four-piece from Paris, France featuing ex- and current members of such great band as The Fatals, Catholic Spray and Feeling Of Love. After a full LP on Teenage Menopause they continue to boast a noisy and dirty sound with plenty of room for unforced manic screams, guitar noise and other freak-outs that punch through each of the two songs. You can expect nothing less than a weird punk attack on this platter. T.I.T.S. take the best parts of 70s punk, 60s garage/psych and Brainbombs style noise-rock to write their fresh, quick and merciless punk blasts. A total banger! (Listen to it here)

TRIPTIDES - CLEMENTINE 7" (Requiem Pour Un Twister) 
Triptides from Bloomington, Indiana are able to write songs filled with a manic and sophisticated pop charm. They build their sounds around sweet melodies, with super catchy music that stays in your head after the first listen. The two songs show hints of psych-pop, surf and early 80s DIY pop. Triptides invite you into their hazy, retro-soundig world of jangly guitars over driving rhythms, all wrapped in oustanding vocal harmonies. The subdued textures they create can be considered as an expression of true pop mastery. Get this highly addictive double a-side single! (Listen to it here)
 
USELESS EATERS - DESPERATE LIVING 7" (Slovenly)
Seth Sutton, the leading head behind Useless Eaters, has been extremely productive in recent years. After a string of 7"s and four LPs on labels such as Goner, Tic Tac Totally!, P. Trash, Goodby Boozy or Southpaw (just to name a few) they now return with a new three track single. Once again Useless Eaters serve to prove that are able to capture and recall the classic sound and spirit of early US American punk. The titletrack “Desperate Living” is underlayed with frantic and weird sc-fi synth-sounds that bring to mind Devo and the sound of other synth-punk pioneers. The flipside consists of two short, direct and super catchy punk blasts. It's an invogirating mess comprised of razor-sharp guitar riffs, blown.out drumming and catchy vocal harmonies. Another winner release from Useless Eaters! (Listen to it here)

UV GLAZE - ENVIRONMENT 7" (Bachelor)
Here's yet another brilliant new band hailing from Berlin. UV Glaze doesn't sound like the typical garage influenced music you would normally expect from Bachelor Records. The five songs on their vinyl debut merge strong 70s and 80s punk roots with a heavy of dose of dissonant noise-rock and weirdness. UV Glaze are a ugly product of impulsive beats, powerful bass lines, squeaking guitars and harsh madman vocals. This blast of nasty punk rock exists somewhere in the netherworld between Black Flag, Jesus Lizard, Tar Babies and Mentally Ill. There's not a ton of feedback, this is just straight, raw music. (Listen to it here)

VA - SWEET TIMES VOLUME 2 7" (Who Can You Trust?) 
Who Can You Trust? delivers a second volume of Sweet Times and it's another "all killer, no filler" compilation featuring one exclusive track by each of the four bands. The 7" kicks off with Brooklyn based trio The Golden Grass. "All You Have Grown" is a soulful and heavy product of vintage 70s psychedelic rock influences. Sultan Bathery from Italy continue where they left off with their debut full lenght on Slovenly. This band really knows how to put a unique spin on classic garage, psych and rock'n'roll influences. On the flipside Metalleg play hook-filled, catchy punk rock that recalls the sound of late 70s New York groups. Last but not least Gorilla impress with their unique and heavy style of stoner rock'n'roll. The first 100 copies come with a great gimmick: you get glasses that allow a 3D view on the amazing cover artwork. Be fast and get this brilliant compilation. (Listen to it here)

WHITE PAGES - BAM BAM 7" (Can't Stand Ya!)
The second 7" by White Pages from Cambridge, MA features four more blasts of their wild and repulsive high-speed garage-punk. The very clean and undistorted guitar sound perfectly contrast with their uncontrollable and really chaotic style. The riffs are simple but effective as is the drumming. White Pages’ deranged vocals are another important element. There's a powerful force of hardcore energy to their late 70s punk and 90s garage inspired tunes. The great thing is, the songs are really primitive and to the point. The reslut is a wild and malicious sound that lies somewhere between The Germs and The Oblivians. Great stuff! (Listen to it here)